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  • Stumbling out of inspired/dismayed encounter with Whitehead this morning into Wendell Berry, a balm.

    → 9:49 AM, Apr 24
  • From Wendell Berry, A Small Porch (XI)

    To that light, itself invisible
    were it not for the world
    that is lighted by it, comes spring,
    the circumstance of leaves,
    the leaflight changing as the leaves
    move, a motional language
    of the invisible air, in which
    also the colors of the flowers
    declare the flowers amid
    the crowding of green leaves.
    To see that these are wonders
    he has only to wonder.
    By loving them he sees
    in them the signature
    of the shaping love inwardly
    moving them to bloom, as the air
    moves them inwardly.

    → 9:42 AM, Apr 24
  • Joyous at the rediscovery that any given string of words might stir deep wonder at the gift of having been alive in time and place. A string of words like, “Tracy Chapman Live at Cabaret Metro 1988-05-7,” for instance.

    → 1:54 PM, Apr 23
  • Grateful for @willowbl00 on the beauty of impermanence and the horror of being turned into an LLM. It takes me to Middlemarch: “that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

    → 9:37 AM, Apr 22
  • Iris Murdoch: “Our ability to act well ‘when the time comes’ depends partly, perhaps largely, upon the quality of our habitual objects of attention.”

    Beyond cognitive surrender, I wonder about a kind of moral surrender in turning over to chatbots innumerable tiny, everyday moments of discernment

    → 5:43 PM, Apr 21
  • Lincoln in New Salem, Illinois, WPA mural inside the post office in my hometown of Petersburg, IL (62675), painted in 1938 by John Winters; The Reverend John Eliot Preaching to the Indians, painted by William Abbott Cheever in 1941, in the post office in Chestnut Hill, MA (02467).

    → 11:03 AM, Apr 15
  • Before the Vigil on Saturday, we saw Sirāt, which is brutal and so, so beautiful; last night, I watched Mary Magdalene, with Rooney Mara (excellent) and Joaquin Phoenix (a strange choice, but he won me over in the end). I’m haunted by their strange complementarity. Anyone else seen one or both?

    → 9:18 AM, Apr 6
  • How excellence can be a kind of cruelty.

    → 5:34 PM, Feb 12
  • The Great Hare

    Excerpt of another song from Thoreau, this one from his remarkable vision (in the Journals) of new snow as the trace of the “Great Hare, whose track no hunter has seen.” stpeter.im/writings/…

    → 12:49 PM, Feb 5
  • A bit of the song we made from this striking passage in WALDEN

    I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud, and they seemed as anxious to recover them as if they had lost them themselves.

    → 12:32 PM, Feb 5
  • Are other authors receiving these emails stinking of AI, with breathlesss this-not-that praise for their books, promising to get them more Amazon reviews, booktok mentions, Goodreads recs, etc.?

    → 10:53 AM, Feb 4
  • Looking for a photo, I ran across this early demo of Sonnet 32 from my project setting the sonnets to song. Was playing around with iMovie for iOS, hence the strange crop (I couldn’t get it to do otherwise). I didn’t have the sestet yet. I hear a clarity and crispness that I want to rekindle.

    → 8:14 AM, Jan 31
  • Plus ça change, plus Liriodendron.

    → 3:54 PM, Jan 30
  • Ian McKellen in 1979, workshopping Macbeth’s Tomorrow and Tomorrow and Tomorrow soliloquy, is refreshing and inspiring: youtu.be/zGbZCgHQ9…

    → 3:49 PM, Jan 30
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